Jump-cutting back and forth through Americana, from the “shot heard ’round the world” to Lenny Bruce’s extended monologues on the Cuban Missile Crisis, Don DeLillo shines a light on America’s dark impulse to violence in “Underworld.”
Jump-cutting back and forth through Americana, from the “shot heard ’round the world” to Lenny Bruce’s extended monologues on the Cuban Missile Crisis, Don DeLillo shines a light on America’s dark impulse to violence in “Underworld.”